« CABANE D’ÉCOUTE »
Scénographie réalisée à l’occasion du @_b.a.o__
« les samedis on s’dit quoi ?#1
Faire collectif dans l’Art / célébrité et reconnaissance »
l’ISELP
octobre > novembre 2025
crédit photos : Romy Berger.
PLONGEURS AUTONOMES
Group show from March 14 to March 29, 2020.
Fondation Moonens - Brussel
Elfie Poiré, Alice Pandolfo, Anjan, Irina Maloir et Maud Bocquet.
The space is delimited by contours. He creaks, sometimes whispers. He shows and hides, offers and maske. Very solid, it has an element of vulnerability that escapes it. "Autonomous divers" connects the works that inhabit the room. In the space of the Moonens Foundation, the artists offer radical interventions in the form of installations and performances. The result blurs the border between 2D and 3D, transforms architecture, plays on the ambiguity of materials. The works meet and enter circulation with the place of exhibition.
PLONGEURS AUTONOMES
Group show from March 14 to March 29, 2020.
Fondation Moonens - Brussel
Elfie Poiré, Alice Pandolfo, Anjan, Irina Maloir et Maud Bocquet.
The space is delimited by contours. He creaks, sometimes whispers. He shows and hides, offers and maske. Very solid, it has an element of vulnerability that escapes it. "Autonomous divers" connects the works that inhabit the room. In the space of the Moonens Foundation, the artists offer radical interventions in the form of installations and performances. The result blurs the border between 2D and 3D, transforms architecture, plays on the ambiguity of materials. The works meet and enter circulation with the place of exhibition.
PLONGEURS AUTONOMES
Group show from March 14 to March 29, 2020.
Fondation Moonens - Brussel
Elfie Poiré, Alice Pandolfo, Anjan, Irina Maloir et Maud Bocquet.
The space is delimited by contours. He creaks, sometimes whispers. He shows and hides, offers and maske. Very solid, it has an element of vulnerability that escapes it. "Autonomous divers" connects the works that inhabit the room. In the space of the Moonens Foundation, the artists offer radical interventions in the form of installations and performances. The result blurs the border between 2D and 3D, transforms architecture, plays on the ambiguity of materials. The works meet and enter circulation with the place of exhibition.
